Sir Thomas Monnington:
Cartoon for Winter, circa 1921
Framed (ref: 229)
Chalk and gouche on brown paper, 48 x 85 in. (122 x 216 cm.)
Provenance: The British School at Rome, Lowther Gardens, London; Sotheby’s, London 14th October 1987.
Exhibition of works submitted in the final competitions for the Rome
Scholarship of 1922, Royal Academy, February 1922; International
Exhibition of Modern and Decorative Industrial Art, Paris, April-October
1925, British Section, Grand Palais (309).
Literature: Illustrated London News, 10th March 1923, Vol 162, p. 366, (finsihed painting reproduced).
was Monnington’s winning submission for the 1922 British School at
Rome Scholarship in Decorative Painting. The landscape is based on
studies looking towards Clerebury Rings near Salisbury, undertaken
during visits in 1921 to the artist’s cousin Dr. R.C Monnington. In a
review in the Observer, (22nd February 1922), P.C. Konody praised
Monnington’s painting for being “steeped in the best traditions of the
Italian Renaissance. His colour is dull, but there is a marked sense
of style in his design”.
A link with the Italian Renaissance can be demonstrated more
specifically in relation to the work of Piero della Francesca: the young
peasant leaning with both hands on a spade is a possible echo from the
Discovery and Proving of the True Cross (San Francesco, Arezzo). The
man sitting on a rock in the middle of the composition appears to be
based on the figure of St. Joseph (in reverse) in Piero della
Francesca’s Adoration. I am grateful to Professor Luciano Chelles for