Liss Llewellyn Fine Art - 20th Century British Art

Frank Brangwyn (1867-1956)   BIOGRAPHY

 SOLD
 
Foley bone china tea service, c 1934
Unmounted (ref: 2382)

Marks: FOLEY/ENGLISH BONE CHINA/FRANK BRANGWYN RA (facsimile of signature) / ARTIST’S/COPYRIGHT RESERVED/FIRST EDITION


 


Provenance: Edgar Peacock; Edgar Horns, Eastbourne, 20 September 2000 
Exhibited: China Pottery and Glass Exhibition, Harrods, London, 22 October – 10 November 1934; Frank Brangwyn, Leeds, Bruges, Swansea, 2006 

Literature: Horner, Dr. Libby, Frank Brangwyn, A Mission to Decorate Life, Liss Fine Art, 2006, p. 170-181


 
The Foley and Royal Staffordshire Potteries invited a number of distinguished British artists to create contemporary ceramic designs which were then entrusted to Clarice Cliff and her assistants. The results, revealing ‘a definitely English type of contemporary and modern design and [possessing] a freshness of outlook and originality of treatment which is altogether delightful’, were displayed at a special exhibition at Harrods in 1934. (89) 


This set, comprising three cups and saucers, six plates, milk jug, sugar bowl and a serving dish, is thought to be unique.

Other artists involved included Angelica Bell, Vanessa Bell, Clarice Cliff, Duncan Grant, Barbara Hepworth, Dame Laura Knight, Paul Nash, Dod Proctor, Eric Ravilious and Graham Sutherland.



Frank Brangwyn (1867-1956)


Frank Brangwyn was born in Bruges, Belgium, the son of an English father and Welsh mother. The family returned to London in 1874, Brangwyn's father gaining work as a designer of buildings, embroideries and furniture. Although Brangwyn appears to have had little formal education, whether academic or artistic, his earliest mentors were three of the most influential men in design at the turn of the century: Arthur Heygate Mackmurdo, William Morris and Siegfried Bing. Between 1884 and 1887 Brangwyn travelled to Kent, Cornwall and Devon, before venturing further with trips to Turkey in 1888, South Africa in 1891, Spain in 1892 and Morocco in 1893. Brangwyn was an independent artist, an experimenter and innovator, capable of working on both large and small scale projects, ranging from murals, oil paintings, watercolours, etchings, woodcuts and lithographs to designs for architecture, interiors, stained glass, furniture, carpets, ceramics and jewellery, as well as book illustrations, bookplates and commercial posters. It is estimated that he produced over 12,000 works during his lifetime. Mural commissions included the Worshipful Company of Skinners, London (1902-09), St Aidan's church, Leeds (1908-16), Manitoba Legislative Building, Winnipeg, Canada (1918-21), Christ's Hospital, Horsham (1912-23), State Capitol, Jefferson City, USA (1915-25), the British Empire panels, Swansea (1925-32), and Rockefeller Center, New York (1930-34). Brangwyn married Lucy Ray in 1896 and took on the lease of Temple Lodge, Hammersmith, in 1900. In 1918 the artist purchased The Jointure, Ditchling, where he spent most of his time following his wife's death in 1924. Elected RA in 1919, knighted in 1924, holder of countless artistic awards, Brangwyn was modest about his singular achievements, regarding art as an occupation and describing himself as a designer.

See all works by Frank Brangwyn