Framed (ref: 2775)
Oil on panel, 8 3/4 x 6 1/4 in. (22.2 × 15.8 cm.)
It’s commonly believed that Paul Gauguin worked in isolation in Tahiti, living in self-imposed exile from France and far from the reach of the European avant-garde. But from 1897 to 1898 Gauguin was joined in Tahiti at Papete by a British painter, Arthur Haythorne Studd (1863 – 1919). It was Studd’s wish, as he declared in a letter to his friend James McNeil Whistler (dated 22 June, 1897), to establish a ‘Studio of the South Seas’ Arthur Studd studied art at the Slade School under Legros in 1888-89 and in Paris at the Academie Julian. He quickly immersed himself in an artistic circle which included, Degas, Puvis de Chavannes,Charles Conder and James McNeill Whistler. He also met and befriended Gauguin in Le Pouldou, Brittany in 1890. From 1894 to 1895 Studd worked with Whistler in London where they were neighbours in Cheyne Walk, Chelsea.
A man of independent means and a collector Studd bequeathed three major works by Whistler to the National Gallery, London (now in the Tate Collection): Symphony in White, No. 2: The Little White Girl; The Fire Wheel; and Nocturne: Blue and Silver – Cremorne Lights).Studd held one man shows during his lifetime at the Goupil Gallery in 1896, The Baillie Gallery in 1906, The Alpine Club Gallery, London in 1911 and The City Museum of St. Louis, USA in 1910. Exhibited at the New English Arts Club.
He excelled in producing small wooden panels painted en plein air, inspired by the Post Impressionists. Panels by
Studd of a similar size are in the collection of Tate Britain.
A biography of this important British painter and collector, whose story remains to be told, is being prepared by Dr Prue Ahrens University of Queensland.
Painter and collector born at Hallerton Hall, Leicestershire. From a monied background he was, all his life of independent means. Studd (known as “Peter”) read history at King's College, Cambridge, 1884–87 where his peers included Roger Fry. He went on to study art under Legros at the Slade School 1888–89, and at the Académie Julian, Paris, 1889. He visited Le Pouldu in Brittany, 1890, where he befriended Gauguin and De Haan. Although strongly influenced by Gauguin, his style changed after he had worked with Whistler 1892-95. Visited Samoa and Tahiti about 1898. However, he did not become completely acquainted with Whistler until his return to London in 1894, when he became Whistler's neighbour in Cheyne Walk, Chelsea. They painted together at Lyme Regis, Dorset and in Dieppe. The subdued tone and limited range of colour of Studd's landscapes were greatly influenced by those of Whistler. Studd, a serious collector of paintings bequeathed three paintings by Whistler to the National Gallery which were ultimately transferred to the Tate Gallery. The National Gallery, London also benefited from his largesse in the acquisition of an important paintings by Pierre-Cécile PUVIS de CHAVANNES including “Death and the Maidens” Studd held a solo exhibition of his work was held at the Alpine Club Gallery, 1911. His work is in the collection of the collections of the Hunterian, Glasgow and York City Art Gallery.