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  • Nude, study, 1915 -
    Biography Enquire about this picturePrice on request


    Presentation: Unframed
    Signed and dated
    inscribed 3 hours
    coloured chalk on grey paper

    Born in Brighton, Percy Horton attended the School of Art there from 1912-1916. During the First Word War he became a conscientious objector and was sentenced to two years hard labour in Carlton Prison, Edinburgh, from 1916-18.
  • Portrait of a Private, 1916 -
    Biography Enquire about this picturePrice on request


    Presentation: Unmounted
    Signed and dated
    Watercolour over charcoal
    10 × 14-1/4 in. (25.5 × 37-1/2 cm)
    Percy Horton’s training as an artist was interrupted by two years’  imprisonment as a conscientious objector during the First World War ; he was sentenced to hard labour for refusal to wear his uniform. Until the end of July 1916 he was under arrest at the depot of his regiment – the Royal Fusiliers 29th Division – at Chichester . On 1 August he arrived in Edinburgh, where he was committed to Calton Jail, initially for thirteen weeks’ solitary confinement.
    The FirstWorldWar had had a profound effect on the Horton family: Percy’s
    brother Harry was gassed, wounded and shell-shocked in the course of his
    service in Italy and France with theWest Kent Regiment.

    At the end of 1917, writing to his father from Edinburgh Royal Infirmary, he observed: ‘my portraits are very popular . Everyone wants to have one and they pose so patiently. ’ Horton seems to have been deprived of paper and pencil on his arrival in Edinburgh, and it seems likely that this sketch was made while the regiment was still at Chichester .
  • Birch  Trees, circa 1920 -
    Biography Enquire about this picture£850


    Presentation: Unframed
    Signed with studio stamp on reverse 1/39
    Oil on canvas board
    35.3 x 26.3 cm






  • Nude, study, 1915 -
    Biography Enquire about this picturePrice on request


    Presentation: Unframed
    Signed and dated
    inscribed 3 hours
    coloured chalk on grey paper

    Born in Brighton, Percy Horton attended the School of Art there from 1912-1916. During the First Word War he became a conscientious objector and was sentenced to two years hard labour in Carlton Prison, Edinburgh, from 1916-18.
  • Portrait of a Private, 1916 -
    Biography Enquire about this picturePrice on request


    Presentation: Unmounted
    Signed and dated
    Watercolour over charcoal
    10 × 14-1/4 in. (25.5 × 37-1/2 cm)
    Percy Horton’s training as an artist was interrupted by two years’  imprisonment as a conscientious objector during the First World War ; he was sentenced to hard labour for refusal to wear his uniform. Until the end of July 1916 he was under arrest at the depot of his regiment – the Royal Fusiliers 29th Division – at Chichester . On 1 August he arrived in Edinburgh, where he was committed to Calton Jail, initially for thirteen weeks’ solitary confinement.
    The FirstWorldWar had had a profound effect on the Horton family: Percy’s
    brother Harry was gassed, wounded and shell-shocked in the course of his
    service in Italy and France with theWest Kent Regiment.

    At the end of 1917, writing to his father from Edinburgh Royal Infirmary, he observed: ‘my portraits are very popular . Everyone wants to have one and they pose so patiently. ’ Horton seems to have been deprived of paper and pencil on his arrival in Edinburgh, and it seems likely that this sketch was made while the regiment was still at Chichester .
  • Kensington Gardens 1923 -
    Biography Enquire about this pictureReserved


    Presentation: Framed
    Watercolour, squared in pencil
    5 5/8 x 9 7/16 in. (14.3 x 24 cm.)

    Provenance: K. Chaloner, (the artist's daughter); Geoff Hassaell

    A drawing of the same composition is reproduced in Ian Jeffrey's The British Landscape plate 24.  Horton is shown doffing his top hat far left.
  • Kensington Gardens 1923 -
    Biography Enquire about this pictureReserved


    Presentation: Framed
    Watercolour, squared in pencil
    5 5/8 x 9 7/16 in. (14.3 x 24 cm.)

    Provenance: K. Chaloner, (the artist's daughter); Geoff Hassaell

    A drawing of the same composition is reproduced in Ian Jeffrey's The British Landscape plate 24.  Horton is shown doffing his top hat far left.
  • Girl in the studio, circa 1947 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to reverse, reference number 2/22
    oil on panel
    21 x 16 in. (53.5 x 40.7 cm.)
  • Fair hair, perched on table - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to reverse, reference number 3/4
    Oil on canvas
    22 x 16 in.

    Born in Brighton, Percy Horton attended the School of Art there from 1912-1916. During the First Word War he became a conscientious objector and was sentenced to two years hard labour in Carlton Prison, Edinburgh, from 1916-18. After the war, he took up his studies again at the Central School of Art 1918-20 and the Royal College of Art 1922-24. In 1925 he was appointed art master at Bishop's Stortford College and also began giving classes at the Working Men's College in London. As a member of the AIA (Allied International Artists) during the 1930's he believed that artists should be socially committed and he painted a series of portraits of the unemployed during the Depression.

    Horton  taught at the RCA between 1930 and 1949. During the Second World War the college was evacuated to Ambleside and he produced a series of paintings of the Lake District and its people. At the request of the War Artists Advisory Committee he drew portraits and painted scenes in war factories and this collection is now in the Imperial War Museum. In 1949 Horton was elected Ruskin Master of Drawing at Oxford University and remained in this post until his retirement in 1964.

    Horton exhibited in numerous group shows, including the Royal Academy Summer Exhibition, Arts Council travelling exhibitions, Royal Society of British Artists, New English Art Club, Ashmolean Museum and the Brighton Art Gallery. A memorial retrospective was held at the Mall Galleries in 1971. His work may be seen in the permanent collections of the Tate, National Portrait Gallery, Arts Council, Fitzwilliam Museum, Cambridge., and a number of city art galleries.
  • Black female - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to reverse, reference number 3/5
    Oil on canvas
    20 x 16 in.

    Born in Brighton, Percy Horton attended the School of Art there from 1912-1916. During the First Word War he became a conscientious objector and was sentenced to two years hard labour in Carlton Prison, Edinburgh, from 1916-18. After the war, he took up his studies again at the Central School of Art 1918-20 and the Royal College of Art 1922-24. In 1925 he was appointed art master at Bishop's Stortford College and also began giving classes at the Working Men's College in London. As a member of the AIA (Allied International Artists) during the 1930's he believed that artists should be socially committed and he painted a series of portraits of the unemployed during the Depression.

    Horton  taught at the RCA between 1930 and 1949. During the Second World War the college was evacuated to Ambleside and he produced a series of paintings of the Lake District and its people. At the request of the War Artists Advisory Committee he drew portraits and painted scenes in war factories and this collection is now in the Imperial War Museum. In 1949 Horton was elected Ruskin Master of Drawing at Oxford University and remained in this post until his retirement in 1964.

    Horton exhibited in numerous group shows, including the Royal Academy Summer Exhibition, Arts Council travelling exhibitions, Royal Society of British Artists, New English Art Club, Ashmolean Museum and the Brighton Art Gallery. A memorial retrospective was held at the Mall Galleries in 1971. His work may be seen in the permanent collections of the Tate, National Portrait Gallery, Arts Council, Fitzwilliam Museum, Cambridge., and a number of city art galleries.

  • Portrait of an artist, possibly Stanley Badmin- circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to reverse, reference number 2/8
    oil on panel
    24 x 18 in. (61 x 46 cm.)
  • Pitched stone wall, ruined turret, cottage and fields, circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed, signed with studio stamp to reverse, reference number 1/18
    Oil on canvas
    17 6/16 x 22 in. (44 x 56 cm).
  • Seated 3/4 rear, picture on wall - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Signed with studio stamp to canvas reverse (3/6)
    Oil on canvas (D. Robertson and co)
    56 x 40.5 cm
  • Portrait of a Young Girl - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Signed with studio stamp to canvas return, (ref 2/20)
    Oil on canvas,
    41 x 35.5 cm

  • Portrait of a young girl - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Signed with studio stamp to canvas reverse (2/17)
    Oil on canvas
    41 x 35.5 cm
  • Self Portrait at easle - circa 1940 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Signed with studio stamp on reverse (4/7)
    Oil on board
    38 x 32 cm
  • Self Portrait - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to canvas reverse (4/6)
    Oil on Reeves Artists Canvas Board
    35.5 x 25 cm
  • Tree-lined road, houses beyond - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to reverse, reference number 1/75
    Oil on panel
    26.5 x 33 cm
  • Suburban Garden - 1921 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Titled on a label to the reverse, with studio stamp, reference number 1/43
    18 x 25.5 cm
    Oil on board


  • Derbyshire landscape - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp on reverse (1/68)
    Oil on board
    25 x 40.5 cm

  • Chianti bottle with lemon, circa 1922 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp on reverse (5/4)
    Oil on canvas
    34.5 x 29.5 cm



  • An Orchad in Kent - circa 1930 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed
    Oil on canvas
    35 x 50 cm
    Signed with studio stamp on reverse (1/98)

    Exhibited in the Memorial Exhibition of the Artists work at the Mall Galleries. The Mall. London. June/July 1971
    Also called Kentish orchad with sheep



  • The Green Hat ( Mrs Geoffrey Rhoades), circa 1930 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Oil on canvas
    57 x 44 cm
    Signed with studio stamp on reverse (2/3)
    Exhibited: Ashmolean Museum, retrospective exhibition of paintings and drawings by Percy Horton , June 17 - July 4 1964 No.10


  • Landscape: houses through gap in trees, figure left foreground, circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Oil on board
    55 x 45.5 cm
    Signed with studio stamp on reverse (1/69)


  • Joan Jenner/Rhoades reading, circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Oil on canvas
    51 x 61 cm
    Signed with studio stamp on reverse (2/26)


  • Downs through bushes, stile bottom-right, circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Oil on panel
    35.5 x 45.7 cm
    Signed with studio stamp on reverse (1/22)


  • Trees in a park, circa 1920 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Oil on board
    35.5 x 26.5 cm
    Signed with studio stamp on reverse (1/34)



  • Derbyshire landscape - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp on reverse (1/68)
    Oil on board
    25 x 40.5 cm

  • Chianti bottle with lemon, circa 1922 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp on reverse (5/4)
    Oil on canvas
    34.5 x 29.5 cm



  • An Orchad in Kent - circa 1930 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed
    Oil on canvas
    35 x 50 cm
    Signed with studio stamp on reverse (1/98)

    Exhibited in the Memorial Exhibition of the Artists work at the Mall Galleries. The Mall. London. June/July 1971
    Also called Kentish orchad with sheep



  • The Green Hat ( Mrs Geoffrey Rhoades), circa 1930 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Oil on canvas
    57 x 44 cm
    Signed with studio stamp on reverse (2/3)
    Exhibited: Ashmolean Museum, retrospective exhibition of paintings and drawings by Percy Horton , June 17 - July 4 1964 No.10


  • Landscape: houses through gap in trees, figure left foreground, circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Oil on board
    55 x 45.5 cm
    Signed with studio stamp on reverse (1/69)


  • Joan Jenner/Rhoades reading, circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Oil on canvas
    51 x 61 cm
    Signed with studio stamp on reverse (2/26)


  • Downs through bushes, stile bottom-right, circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Oil on panel
    35.5 x 45.7 cm
    Signed with studio stamp on reverse (1/22)


  • Self Portrait - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to canvas reverse (4/6)
    Oil on Reeves Artists Canvas Board
    35.5 x 25 cm
  • Tree-lined road, houses beyond - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to reverse, reference number 1/75
    Oil on panel
    26.5 x 33 cm
  • Suburban Garden - 1921 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Titled on a label to the reverse, with studio stamp, reference number 1/43
    18 x 25.5 cm
    Oil on board


  • Portrait of an artist, possibly Stanley Badmin- circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to reverse, reference number 2/8
    oil on panel
    24 x 18 in. (61 x 46 cm.)
  • Pitched stone wall, ruined turret, cottage and fields, circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed, signed with studio stamp to reverse, reference number 1/18
    Oil on canvas
    17 6/16 x 22 in. (44 x 56 cm).
  • Seated 3/4 rear, picture on wall - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Signed with studio stamp to canvas reverse (3/6)
    Oil on canvas (D. Robertson and co)
    56 x 40.5 cm
  • Portrait of a Young Girl - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Signed with studio stamp to canvas return, (ref 2/20)
    Oil on canvas,
    41 x 35.5 cm

  • Portrait of a young girl - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Signed with studio stamp to canvas reverse (2/17)
    Oil on canvas
    41 x 35.5 cm
  • Self Portrait at easle - circa 1940 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Signed with studio stamp on reverse (4/7)
    Oil on board
    38 x 32 cm
  • Black female - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to reverse, reference number 3/5
    Oil on canvas
    20 x 16 in.

    Born in Brighton, Percy Horton attended the School of Art there from 1912-1916. During the First Word War he became a conscientious objector and was sentenced to two years hard labour in Carlton Prison, Edinburgh, from 1916-18. After the war, he took up his studies again at the Central School of Art 1918-20 and the Royal College of Art 1922-24. In 1925 he was appointed art master at Bishop's Stortford College and also began giving classes at the Working Men's College in London. As a member of the AIA (Allied International Artists) during the 1930's he believed that artists should be socially committed and he painted a series of portraits of the unemployed during the Depression.

    Horton  taught at the RCA between 1930 and 1949. During the Second World War the college was evacuated to Ambleside and he produced a series of paintings of the Lake District and its people. At the request of the War Artists Advisory Committee he drew portraits and painted scenes in war factories and this collection is now in the Imperial War Museum. In 1949 Horton was elected Ruskin Master of Drawing at Oxford University and remained in this post until his retirement in 1964.

    Horton exhibited in numerous group shows, including the Royal Academy Summer Exhibition, Arts Council travelling exhibitions, Royal Society of British Artists, New English Art Club, Ashmolean Museum and the Brighton Art Gallery. A memorial retrospective was held at the Mall Galleries in 1971. His work may be seen in the permanent collections of the Tate, National Portrait Gallery, Arts Council, Fitzwilliam Museum, Cambridge., and a number of city art galleries.

  • Girl in the studio, circa 1947 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to reverse, reference number 2/22
    oil on panel
    21 x 16 in. (53.5 x 40.7 cm.)
  • Fair hair, perched on table - circa 1925 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Framed
    Signed with studio stamp to reverse, reference number 3/4
    Oil on canvas
    22 x 16 in.

    Born in Brighton, Percy Horton attended the School of Art there from 1912-1916. During the First Word War he became a conscientious objector and was sentenced to two years hard labour in Carlton Prison, Edinburgh, from 1916-18. After the war, he took up his studies again at the Central School of Art 1918-20 and the Royal College of Art 1922-24. In 1925 he was appointed art master at Bishop's Stortford College and also began giving classes at the Working Men's College in London. As a member of the AIA (Allied International Artists) during the 1930's he believed that artists should be socially committed and he painted a series of portraits of the unemployed during the Depression.

    Horton  taught at the RCA between 1930 and 1949. During the Second World War the college was evacuated to Ambleside and he produced a series of paintings of the Lake District and its people. At the request of the War Artists Advisory Committee he drew portraits and painted scenes in war factories and this collection is now in the Imperial War Museum. In 1949 Horton was elected Ruskin Master of Drawing at Oxford University and remained in this post until his retirement in 1964.

    Horton exhibited in numerous group shows, including the Royal Academy Summer Exhibition, Arts Council travelling exhibitions, Royal Society of British Artists, New English Art Club, Ashmolean Museum and the Brighton Art Gallery. A memorial retrospective was held at the Mall Galleries in 1971. His work may be seen in the permanent collections of the Tate, National Portrait Gallery, Arts Council, Fitzwilliam Museum, Cambridge., and a number of city art galleries.
  • Trees in a park, circa 1920 -
    Biography Enquire about this pictureTo be included in a
    forthcoming exhibition



    Presentation: Unframed
    Oil on board
    35.5 x 26.5 cm
    Signed with studio stamp on reverse (1/34)



  • Self Portrait -
    Biography Sold


    Presentation: Framed
    oil on canvas
  • Farmyard view -
    Biography Sold


    Presentation: Framed
    oil on panel
    11 13/16 x 15 3/4 in. (30 x 40 cm).
  • Farmyard view -
    Biography Sold


    Presentation: Framed
    oil on panel
    11 13/16 x 15 3/4 in. (30 x 40 cm).
  • Self Portrait -
    Biography Sold


    Presentation: Framed
    oil on canvas
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